Tarot Gold Edition - Major Arcana - The Empress

Introducing ‘Tarot ' collection by Serge Averbukh, showcasing stunning new media paintings of various Tarot decks. Here you will find pieces... more

by Serge Averbukh

Buy the Original Digital Art

Price

$1,500

Dimensions

48.000 x 72.000 inches

Title

Tarot Gold Edition - Major Arcana - The Empress

Artist

Serge Averbukh

Medium

Digital Art - Digital Painting

Description

Introducing ‘Tarot ' collection by Serge Averbukh, showcasing stunning new media paintings of various Tarot decks. Here you will find pieces featuring Tarot - Major Arcana - The Empress
The tarot (first known as trionfi and later as tarocchi, tarock, and others) is a pack of playing cards, used from the mid-15th century in various parts of Europe to play games such as Italian tarocchini and French tarot. In the late 18th century, it began to be used for divination in the form of tarotology/cartomancy.
The Rider-Waite tarot deck (originally published 1910) is one of the most popular tarot decks in use today in the English-speaking world. Other suggested names for this deck include the Rider-Waite-Smith, Waite-Smith, Waite-Colman Smith or simply the Rider deck or Waite deck. The cards were drawn by illustrator Pamela Colman Smith from the instructions of academic and mystic A. E. Waite, and published by the Rider Company. While the images are simple, the details and backgrounds feature abundant symbolism. Some imagery remains similar to that found in earlier decks, but overall the Waite-Smith card designs represent a substantial departure from their predecessors. The Christian imagery of previous decks cards was toned down, for instance the "Pope" card became the "Hierophant", the "Papess" became the "High Priestess". The Minor Arcana are illustrated with images by Smith, where earlier decks had simpler designs for the Minor Arcana but aligning this deck with, for example, the Sola Busca Tarot. The symbols used were influenced by the 19th century magician and occultist Eliphas Levi.
Like common playing cards, the tarot has four suits (which vary by region: French suits in Northern Europe, Latin suits in Southern Europe, and German suits in Central Europe). Each suit has 14 cards, ten cards numbering from one (or Ace) to ten and four face cards (King, Queen, Knight, and Jack/Knave). In addition, the tarot has a separate 21-card trump suit and a single card known as the Fool. Depending on the game, the Fool may act as the top trump or may be played to avoid following suit.
Tarot cards are used throughout much of Europe to play card games. In English-speaking countries, where these games are not played, tarot cards are used primarily for divinatory purposes. The Trump cards and the Fool are sometimes called "the major arcana" while the ten pip and four court cards in each suit are called minor arcana. The cards are traced by some occult writers to ancient Egypt or the Kabbalah but there is no documented evidence of such origins or of the usage of tarot for divination before the 18th century.
The Major Arcana or trumps are a suit of twenty-two cards in the 78-card Tarot deck. They serve as a permanent trump and suits in games played with the Tarot deck, and are distinguished from the four standard suits collectively known as the Minor Arcana. The terms "Major" and "Minor Arcana" are used in the occult and divinatory applications of the deck, and originate with Jean-Baptiste Pitois, writing under the name Paul Christian.
Dummett writes that originally the Major Arcana had simple allegorical or exoteric meaning, mostly originating in elite ideology in the Italian courts of the 15th century when it was invented. The occult significance only began to emerge in the 18th century when Antoine Court de Gébelin (a Swiss clergyman and Freemason) published Le Monde Primitif. The construction of the occult and divinatory significance of the Tarot, and the Major and Minor Arcana, continued on from there. For example, Antoine Court de Gébelin argued for the Egyptian, kabbalistic, and divine significance of the Tarot trumps: Etteilla created a method of divination using Tarot: Eliphas Lévi worked hard to break away from the Egyptian nature of the divinatory Tarot, bringing it back to the Tarot de Marsailles, creating a "tortuous" kabbalastic correspondence, and even suggested that the Major Arcana represent stages of life. The Marquis Stanislas de Guaita established the Major Arcana as an initiatory sequence to be used by initiates to establish their path of spiritual ascension and evolution. Finally Sallie Nichols, a Jungian psychologist, wrote up the tarot as having deep psychological and archetypal significance, even going so far as to encode the entire process of Jungian individuation into the Tarot trumps. These various interpretations of the Major Arcana developed in stages, all of which continue to exert significant influence on our understanding of the Major Arcana even to this day.
The Empress sits on a throne wearing a starry crown, holding a scepter in one hand. The scepter is representative of her power over life, her crown has twelve stars representing her dominance over the year, and her throne is in the midst of a field of grain, representative of her dominion over growing things. The Empress is representative of the productivity of the subconscious, seeded by ideas. She is meant to be the embodiment of the growth of the natural world, fertility, and what one knows or believes from the heart. According to Waite's The Pictorial Key to the Tarot, The Empress is the inferior (as opposed to nature's superior) Garden of Eden, the "Earthly Paradise". Waite defines her as not being Regina Coeli (the Blessed Virgin Mary), but rather a Refugium Peccatorum - a fruitful mother of thousands: she is above all things universal fecundity and the outer sense of the Word, the repository of all things nurturing and sustaining, and of feeding others.
The Empress is mother, a creator and nurturer. In many decks she can be shown as pregnant. She can represent the creation of life, romance, art, or business. The Empress can represent the germination of an idea before it is ready to be fully born, and the need to be receptive to change.

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September 5th, 2017